急求 黑客帝国英文的观后感
给你一个例子，自己仿照写出自己的作业来。
My thoughts after watching the movie of ‘Disney Pixar Cars’
Lighting is the main character in this movie. This film starts with his marvelous car race and a dumb experience in his life. However, at last, his heart is filled with love and kindness.
Lightning was having a race with many other cars. Even he was nervous, his speed was fast. Only three of them could go to the final match. Three, but only one champion! Lightning flied as quickly as a sword. Finally he was the king of all. Everybody was cheerful. Yet Lightning needed to participate in the Grand Final Race for the ‘Piston Cup’. When he was being sent to the venue of Grand Final Match by Max. Max fell asleep until he heard a loud crashing sound. Lightning was asleep too, and he didn’t realize that Max had gone far away, leaving him behind. Lightning kept searching for Max, but there were millions of cars like Max, how he was able to find him! Lightning went insane, crashing and destroying every thing. At last, a police car stopped him and sent him to a prison. A renowned car had become a prisoner! On account of he had destroyed a long road, he must fix it with Besy. At that small town, he made a great number of friends and was taught plenty of things there. Even he was bored with fixing the road, he remained to be pleasant with his helpers, particularly with his beloved Sally. With love in his heart, Lightning no longer felt bored with his life.
Back in the car race, there was an evil green car named Chick Hick, when two cars went after him, he had an awful idea. ‘I’ll take all the Piston Cups.’ he said in a sing-songy voice. Then he turned over the blue car. At the sight of this, Lightning remembered that helping each other is the most important thing, he turned back and pushed the blue car to the finish line.
Lightning was a very lovely car. Although Lightning didn’t win the race, his love was the most significant thing in the world. His friends helped him to understand there was more to life rather than reputation and reward. In our life we shall learn to love each other in a delightful feeling. With love, we never feel desperate when we fall. And the most important thing that I want to emphasize is, when lightning helped the blue car, we are not only competitors in the competition, but also friends who can help each other.
谁能帮我写一份黑客帝国1的英文观后感，70~90词左右，不要用金山等字典...
I watched this movie in cinema long time ago and I never forget the feelings when leaving after watch. This film changed my life. I started to think a little different. It was access to myself. Wachowski Bros. made fantastic piece of art. I think all movie fans know this title and they never forget it. Do you remember when you first time saw it? I remember very well this stunning visual effects which they looked like real. I was so excited watching this film. Every second of this movie is worth seeing. The story told in "The Matrix" is really important to this world because no one knows the future and it shows how could it be and how A.I. may be. It's a warning to humanity. I strongly recommend to see this movie. If you like action on the best level you must watch it and enjoy superb story with great stunning effects (visual and sound).
黑客帝国2观后感
黑客帝国是我很喜欢的电影。可以说是一部震撼人心的影片。
如果从哲学上讲，你心中的世界根本就没有存在过，不过是我们对于一些信号的错觉而已。比如当你看到一只路边的一个乞丐，很是怜悯，便掏出几块钱给了他。现在分析这个生理过程，首先眼睛接收到了一个映像，经过视神经传入大脑，通过对之前存储信息，和已经有的做人准则，比对得到一个反映，掏出钱给了他。其实这一切都是可以看作我们大脑作做梦，一个莫名其妙的信号取代了视神经的位置，进入大脑。大脑被欺骗了之后，依然做出反应，但这个反映是否能下达到身体的执行器官也被欺骗了。整个过程就是母体对我们身体做的游戏，我们是被玩弄的。从而也可以说明我们的一生都是被愚弄。有一本专门讲解唯心主义哲学的书《人的哲学》一本小册子。就非常类似的说明了，我们的认知，我们的感官是可以全部舍弃的，因为我复发确定它们真的能反映我周围的世界。很冷的一个笑话“大人问什么东西最大，一个小孩说，眼皮啊！闭上眼睛我就什么都看不见了”看似童言无忌，但是却反映了深刻的哲学道理。
回到电影中来，但是真实的世界是这个样子么？我们现在是否正在执行这个程序？是不可知的，也许真的有那么一台机器控制着我们。但是基本不会这样的~~~~
最可能的结果是，本影片是反映社会的意识，社会的准则对我们的控制，也就是Matrix就在我们身边，社会给我们部下了无限的诱惑力，比如会说，住上什么样子的房子就是成功人士，比如你应该找什么样的女人，或者嫁个有钱人，这都是可以看作，插在Neo后脑上的那条电缆，不断地输送给我们本来没必要处理的信息，正如，Neo醒来之后吃的第一顿饭，看到那一沱糨糊一样的东西，坦克说其实我们身体只需要这些足以了，那些锦衣玉食就是那些没必要的信息。我们每个人都在享受着这些垃圾信息，只不过没有人能被唤醒，也许也不愿意醒来。
其实整部影片又非常浓厚的唯心主义色彩，并且有浓厚的宗教色彩。但是他却真的是一部立志的影片，然我们看清真相，希望人们被唤醒不要沉醉在社会为我们营造的幻象之中。
黑客帝国英文影评100字左右，不要金山翻译的那种
获奖:
Awards:Won 4 Oscars. Another 28 wins 35 nominations
观众的评论:
Right there with Seven and Silence of the Lambs for me. I love this film, and rate it a notch above some of the other great action films of our time (i.e., Terminator, Predator) because it has a really well thought out (although moderately unbelievable) story line. A lot of thought provoking material, and some interesting subtleties. I've seen it 10 times (I don't usually watch a movie more than once), and I'll watch it a few more. Enjoy!
剧情给你四个版本的
版本1:During the year 1999, a man named Thomas Anderson lives an ordinary life. He makes a living illegally mostly by computer hacking. Then one day he meets another man by the man of Morpheus. After their friendship develops Morpheus shows him that world Thomas is living is make-believe. At first Thomas does not believe him, but then is shown evidence and also meets with a like-minded woman named Trinity. He is slowly updated from the time the world was disintegrated and wasted, devoid of all natural resources. Then in this wasteland, came android-like humans, machine-made, who enslaved the remainder of the humans. In order to create the perfect world, a fake world is created to fool the humans into believing that everything is alright in their world. Now Thomas, Trinity, and Morpheus must lead the humans to freedom, but will the android-like beings let them? Written by Sumitra (corrected by Sonia)
版本2:Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a malevolent hacker known as Neo. Neo has always questioned his reality but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. Morpheus awakens Neo to the real world, a ravaged wasteland where most of humanity have been captured by a race of machines which live off of their body heat and imprison their minds within an artificial reality known as the Matrix. As a rebel against the machines, Neo must return to the Matrix and confront the agents, super powerful computer programs devoted to snuffing out Neo and the entire human rebellion. Written by redcommander27
版本3:In the near future, a computer hacker named Neo (Keanu Reeves) discovers that all life on Earth may be nothing more than an elaborate facade created by a malevolent cyber-intelligence, for the purpose of placating us while our life essence is "farmed" to fuel the Matrix's campaign of domination in the "real" world. He joins like-minded Rebel warriors Morpheus (Laurence Fishburne) and Trinity (Carrie Ann Moss) in their struggle to overthrow the Matrix. Written by Jake Gittes
版本4:Computer hacker Thomas Anderson has lived a relatively ordinary life--in what he thinks is the year 1999--until he is contacted by the enigmatic Morpheus who leads him into the real world. In reality, it is 200 years later, and the world has been laid waste and taken over by advanced artificial intelligence machines. The computers have created a false version of 20th-century life--the "Matrix"--to keep the human slaves satisfied, while the AI machines draw power from the humans. Anderson, pursued constantly by "Agents" (computers who take on human form and infiltrate the Matrix), is hailed as "The One" who will lead the humans to overthrow the machines and reclaim the Earth. Written by Brian Barjenbruch
求一篇150字左右的英文影评
黑客帝国
1
The Matrix: virtual messiah
The most successful use of the messiah-figure in movie-land so far has to be Star Wars, where young Luke 'redeems' that far away galaxy. And of course the narrative arc associated with the messianic character is the monomythic cycle, per Joseph Campbell, whom Lucas supposedly read heavily. Meaning Star Wars was no accident (i.e., was already ingrained into our cultural unconscious). Neither is the Wachowski brothers' (Andy Larry, best know for Bound) The Matrix, which, instead of picking and choosing from the monomyth per Lucas, instead just uses it all, from the 'parentless' birth to the prophesied appearance to the ability to transcend reality. The messiah here even dies and gets reborn, which means, yes, this has all been done before. Thing is, though, it's never been visually-realized so well, from the opening frame on.
It all starts with a nifty little showcase of the Gap-commercial camerawork we know from the trailer, which provides perhaps the best opening-action sequence around, counting Bond. The woman in black is Trinity (sci-fi newbie Carrie-Anne Moss), and, while the special effects do get all the attention, they also serve a second purpose: to make us wonder just how she can pull them off. Meaning there's already a question to be answered, a mystery to be solved, which in narrative terms translates as a compelling reason to move forward. By the end of that opening sequence, we're hooked. And it only gets better (or, the mystery, as all good mysteries must, only deepens).
Cut now to Neo (Keanu Reeves, already at home in the sci-fi future, via Johnny Mnemonic, even Bill Ted), our messiah, a cubicle-sitter by day, minor league computer hacker by night. It's his night job where he really lives, where he hears whisperings of the 'Matrix,' and some shadowy terrorist figure called Morpheus (sci-fi veteran Laurence Fishburne). But whisperings aren't enough: like Kirstun Dunst in Interview with the Vampire, he wants some more. Soon enough he gets it, gets pulled into answering the mind-bending question Donald Sutherland asked a long time ago in Body Snatchers: What if this world is just nested in another world, which is nested in another world, and on and on? He's introduced to the question--introduced to the 'Matrix'--by none other than Morpheus, who dresses it all up like a Through the Looking Glass experience. You almost expect Grace Slick to punctuate the background for us some, but the Wachowski bros. are able to reel it all in nicely, put the white rabbit on someone's arm instead of onto the soundtrack. It all makes sense if you pay just a little attention.
Once you're in on the secret then, (real, or Memorex?) everything shifts into overdrive. Lots of spaghetti-western hero shots, with Neo's overcoat whipping dramatically (see Cage in Face-Off for more shots like this). Lots of gunplay and techtalk. Lots of stepping into and out of realities, per Millennium (1989) or 12 Monkeys. Even a little romance. The Matrix simply has it all, and then some; you'll want to see it twice, at least. And yes, it does get a little gun-heavy for a while, but this is an action film, after all. Slow-motion leadslinging is part of the package. And the spent cartridges never quite rise above story-level, anyway, but not so much because there's not a lot of cartridges to spend, but simply because there's so much story there in the first place. That is what drew us to Star Wars, after all, yes? The Matrix, though not a space opera, is just as good, and has the added bonus of updated effects technology. The only place Star Wars might have a clear advantage, really, is that Lucas didn't tack an unnecessary coda on, where the Wachowski bros did. Minus those four or five seconds at the end, however, The Matrix is the best sci-fi to come along since Bladerunner. Just a lot louder
2
"Unfortunately, no one can be told what the matrix is, you have to see it for yourself," the radio ads drill. But, I can tell you this..."The Matrix" (the movie) is a winding web of dream vs. reality vs. technological dictatorship. It snatches you in your slumber, then challenges you to see the real world as a dream. It won't insult your intelligence; in fact, like Keanu, you'll spend most of the film trying to figure it out. As for the rest: saliva will be evaporating from your wide open mouth as your jaw lowers at the glass-shattering special effects.
I'm not sure why bullets are necessary to battle power-hunger software; but it sure is cool to watch the empty shells fall to the ground in slow mo. There are the times when the psychedelic, poetic, philosophic dialogue kind of bogs up on itself and there's that lull in the second act ... but nothing that a totally dope butt-woopin' climax can't blast from your memory. Now that's why we go to see action movies!
The plot/concept is almost intricate enough to make you forget that fighting technology with Kung Fu is essentially a silly idea. The acting won't steal the show. It's the careful direction (unique, yet reminiscent of Terry Gilliam, especially in "10 monkeys") and sensitive, creative use of remarkable special effects that will burn this film in your memory. Buckle up!
阿甘正传
1
Robert Zemeckis (of Back to the Future fame) has collected another feather for his cap with his direction of this movie starring Tom Hanks as this childishly naive idiot savant. Though that description of Forrest Gump might be inadequate.
Gump, gifted with a low IQ which lets him be adorably childlike even as he grows up, leads a very charmed life: a mother who loves him immensely and who sleeps with the school principal in order to make sure her child has the best education, a miraculous incident that eliminates the need for him to have braces for his legs, a childhood girlfriend who remains faithful to him till the end, surviving Vietnam with a medal, and, in general, a propensity for turning everything that happens to him into good.
I wonder what the movie is trying to say. From one perspective, it implies that intelligence (as measured by IQs and the general idea of what "smart" is) is a very unnecessary trait. But I think one can look beyond that and say that childlike innocence, which can be considered stupid, has its rewards. Throughout the movie, Gump is in situations where he is harassed by other people but he never takes offense (except, of course, when his girl Jenny is being abused) at any of the insults thrown at him. He is indeed not completely stupid, even though he is portrayed as such, since he can re-assemble guns at high speed, run like crazy, play ping-pong like a maniac, and so on.
The fact that Gump doesn't take offense, I think, is what keeps him content. He becomes a millionaire, but gives most of the money away. He is honest and open and this, along with his Alabama accent, endears him to the audience. But this gets tiresome after a while (especially after 2 hours). I thought the movie was overly long, but that's the only negative thing I have to say.
Gump rubs elbows with many famous personalities over the last half of the century including Elvis Presley and Nixon, thanks to computer technology (General Dan doesn't really lose his legs either---they are just erased and the background is then touched up by using computer graphics programs). The account of how Gump is responsible for the gyrations that is so characteristic of Presley is very telling of the motives of this movie. Gump is contrasted to the famous males, who are idols (in some cases) in today's society, and it appears as though he is better off in comparison: Gump's choices in life seem to determine his niceness (he goes to Vietnam, keeps his promises ("a promise is a promise"), harbours no ill-feelings or grudges, and is not greedy with fame or money) and successes. Contrast this to the choices his lifetime girl friend Jenny makes: she wants to be famous and rich, but ends up being a druggie. The people she is surrounded by are all of a dubious nature: a sexually-abusive father, a show audience more interested in her naked body than her folk-music playing, and an abusive hippie-boyfriend.
The traditional male heroes that we have had are all dysfunctional in some respect or another and we are lost without heroes, as Bloom points out. Gump is a new kind of a role-model; he's A Nice Boy and everyone knows they're hard to find. As one reviewer said: "Today the last American hero is a Tom Hanks character with a small IQ".
Forrest Gump is the runaway hit movie of this summer. Many people claim it gets them in touch with their "inner child". Some reviewers attack it for the view that low IQ is a necessity for maintaining the child-like attitude Gump has. Gump never grows up or matures in the movie. He never becomes a man and remains a boy throughout. It is implied, at least, that his "stupidity" is what allows him to do this. This may or may not be true, but it is just a movie in the end. Most people in his position would not be so fortunate as he. And what about the converse: if you are intelligent, does this mean you cannot be child-like forever? That's not true, and I think Zemeckis did a good job in showing that anyone can retain their inner child as long they never grow up or become mature.
2
I have never seen a movie like Forrest Gump, which is a magical movie that let me have a deep thought about my life. “Life was like a box of chocolates. You never know what you are gonna get.” That is a significant sentence from Forrest Gump’s mother at the beginning of movie. The film narrates different experience in Forrest Gump’s life continuously to prove this sentence to audience.
Tom Hanks, one of the best world’s actors won Best Actor in this film, is the only and the perfect man portrayed a role Forrest Gump. This film is directed by Robert Zemeck whose films are characterized by an interest in state-of-the-art special effects. Besides, Forrest Gump won six academy awards, including Best Picture, Best Visual Effects, Best Director, and Best Actor. In addition, the movie is with great background music to let the audience having a strong impression.
The film opens with a low IQ man, Forrest Gump, telling his significant historic events in his life to the stranger when he is waiting for a bus. That is one of the most special techniques in this film to connect the different story telling to different audience in the bus station, which make a great effect to emphasize on the theme of this film. The other special technique is that there are two clues in this film: one is Forrest Gump’s life and the other is Jenny’s life. Through contrasting with their different fate, it reflects the phenomenon of U.S at that time.
The one steady thread is Forrest Gump’s love to his mother. Forrest Gump is with his simplicity and innocent but understands everything. Even though Forrest is a “foolish” boy, his mother always encourages him and gives him confidence to face his life. Forrest Gump keeps his mother ‘s words to face all the difficulty events during his life. “Stupid is as stupid does”. Forrest Gump is with his innocent thoughts on what living is all about. He creates his extraordinary life with his “intelligence”.
What is the meaning of outstanding movie? You will get the exactly meaning from the movie Forrest Gump. We have never known what will happen in next minute, but we can make it better with optimistic attitude in our life. I think you do not only have an enjoyable time when you watch this movie, you also have a view on your life through Forrest Gump’s life.
律政俏佳人
1
Watching 'Legally Blonde' is almost like falling into a big pink void where fluffy biros and heart-shaped notebooks have for some reason become humorous.
It stars Reese Witherspoon as Elle Woods, a sorority girl permanently enveloped in sickening chirpiness. She experiences an all-too-rare moment of deflation when her smug knitwear-loving boyfriend Warner (Matthew Davis) dumps her to head for Harvard Law School and find a partner who's 'a Jackie, not a Marilyn'. Given that he calls her 'Pooh bear' – presumably some sort of attempt at enforced endearment – it's probably a narrow escape. Only Elle, ditzy perfume-obsessive that she is, doesn't see things that way.
So, in an effort to win Mr Side-Parting back, she decides to apply for Harvard as well and, wouldn'tcha know it, gets in. Thankfully, this unconvincing romantic hook soon becomes little more than a sub-plot as Elle works her way to the top of the class, skilfully dodges the wandering hands of her Professor, and eventually takes on a legal case of her own. Fittingly, the case involves a US fitness Queen, a camp Central American pool boy, and Raquel Welch.
Like a better-looking female equivalent of Jim Carrey, Witherspoon appears in practically every scene, with only the end credits eventually providing a much-needed breather from her incessant grinning and giggling. Selma Blair, as Warren's newfound girlfriend Vivian, is mean and bitchy yet infinitely preferable to our disgustingly bubbly heroine. Am I wrong to think that?
The movie's one saving grace is that it doesn't take itself at all seriously – but that doesn't necessarily mean it's funny. It's not.
2
Elle Woods is a big hit on the campus of her sun-drenched Los Angeles college. She's also got the perfect boyfriend in Warner Huntington , a wealthy East Coast blue blood. Fearing that his snooty friends and family will never accept the bubble-headed Elle, however, Warner dumps her before heading off to graduate law school at Harvard University. Determined to win back her man, Elle enrolls in the same imposing institution, quickly becoming an object of scorn and ridicule, especially to Warner's old prep school flame. Despite her penchant for malls, makeup, and tanning, Elle is no dummy and is soon showing elite Ivy League snobs a thing or two about class, self-confidence, and courtroom victory.
I think elle’s success attribute to her confidence,brave,hard-working. Most people won’t do such a crazy thing like elle. Because how could you choose a major you knows a little? It really needs a great courage to do . But elle did. She did her most to get the admission from the harvard unniversity faculty of law. After that she read day and night to catch up with the others. And she was optimistic when she was made fun by others. She face it bravely, then dealt with it. The most important is she believe in herself. She belive that she can make it no matter how hard it is. And she have faith in others as well. This attitude helped her succeed in the case.
I think we should learn from her. First we should rebult our confidence. No one can make you feel inferior without your our accomplishments when we win. With these abilities, a confident person can succeed easily at school or work.Second, when we locate a goal. We should try our best to make it. Hard-working is necessary in the road to success. Third, we should trust other people. Believe is mutural. Only when we trust others, they will tell us the truth.
都给你吧，一个给你2两篇，选一选吧
跪求《黑客帝国》第一部、第二部、第三部观后感~要求将这三部影片融入到一篇观后感中，字数不少于两千字。
一口气看完《黑客帝国》三部曲，让我想起了以前看过的一本书，这本书叫《苏菲的世界》，在书中苏菲遇上了一位哲学老师艾伯特，苏菲随着艾伯特学习了从古自今所有重要的哲学家，终有一天，她意识到自己生活在一个虚构的世界，于是她跟着艾伯特逃离了书本，也就是逃离了作者的虚构。当时我就产生了奇异的感觉，如果我自己也是生活在一个被人虚构的世界呢，那么所有一切都不是自己想做的，而是迫不得已的，更确切的是任人摆布的。如果自己的世界的虚假的，那么周围人的世界也是虚假的，人类的历史也是虚假的，那么真实在哪里呢？
同时也会想起另一部美国电影，彼得威尔的《楚门的世界》，楚门从小到大生活在一个人造摄影棚中，所有的一切都是为他所设，连女朋友都是，直到有一天他发现了不对劲，就好像电脑系统的漏洞一样。人类具有崇尚自由和揭露真相的天性，因此楚门也像苏菲那样逃出了那个虚假的世界。
但是这两个例子不能完全概括《黑客帝国》中所讲述的真实与虚无的关系。《黑客帝国》所要讲的东西也不仅限于此。
萨特的存在主义哲学说，存在不等于活着。动植物也活着，它们虽然存在，但并不需要思考存在的意义。人是唯一意识到自己存在的生物。一个东西只是在己（in itself）而人类却是为己（for itself）。他还说，人的存在比任何其他事情都重要。我存在的这个事实比我是谁要更加重要。
海德格尔也指出生存问题总是通过生存活动本身来澄清的。人的本质乃是为了替这个在者保管在的真理而消耗。存在主义者人的存在必定就有人的意义，然而意义并不固定不变，意义随着此时此地的变化而改变。而虚无主义者则否定人的存在具有意义。
另一位存在主义哲学家加缪在《西西弗的神话》中阐述的是，西西弗受到惩罚，每天重复的要把同一块石头推到山顶，尽管这样的存在是荒诞的，但是他是幸福的。因为他不用去考虑的生存的意义，他的任务就是推石头。
《黑客帝国》就是在一定意义上说明了无论人生存于一个多么荒诞或者虚无的世界，他的存在都是有意义的，在某种意义之中，如果有一些必须的事情去做，那么他是幸福的。
观众在看《黑客帝国》的时候，觉得一开始难以接受，我自己就先楞了一会儿，第一遍的时候根本没看懂，不过随着好奇变为一定要深入了解华卓斯基兄弟在描述一件什么事情的强烈的透视欲之后，我又坐下来看了三遍，我的意思是三部曲各看了三遍，我看着这个故事、不断的在展开、持续，然后自我解析，像这样的过程可以带给我更丰富、更深入的意义。这也是我们原有的架构，也是我们在第二集都同意的一些基础，其一就是要尼欧继续在母体王国中学习，而有更新更拓展的认知，他已经知道了有祭师的存在，并且代表一中女性，还有造物主，代表了较为雄性、理性与数理的方式，还有那个法国人，他拥有不可思议的，快乐的能力，一种糜烂的快乐能力，这个不断演进的母体，这些强调的因素在于母体就是三大界之一，这三界依然是分裂的，是分崩离析的。
尼欧一开始只是个真实的躯壳，后来变成瞎子，现在他看得见世界的光，他的确面对一个有光与能量的世界，在《黑客帝国》三部曲中，记得金色的光芒永远是心灵的象征，所以，他开始看到这个世界，一个光芒与能量的世界，他必须成为世界的光芒，而史密斯，某种意义上来说代表已疏远的灵魂，史密斯用他的方法来撕裂与破坏，但他是属于邪恶的一方，而尼欧最后得投降，让史密斯进入他体内，然后尼欧进入史密斯，最后影片呈现给我们的
便是融合的画面。
在最后的二十分钟是最不能错过的，他们从躯壳的世界转换成蓝色，尼欧是瞎的，他看不到，他们向你显示，性灵的、光亮的世界，当他与之结合之时，就可拯救这些区域，这些处于战争中的区域，如过你朝这方向看，影片开始就是如此，我认为这是非常防御性的解释，然后你再回头看所有三部曲，你会发现这是完全不同的故事，它变成很有特色，突然间，这些事物，从法国人到祭师说的，“你看看？我是电脑程式，是机器来的” 你会目瞪口呆的说：“哇”，起初，这很惊讶，但它变成整体的一部分，而且紧密连接。
从创世大爆炸，到每一个母体的开始，在我们的文明中并没有这种现象，无论是美国文明还是世界文明史，要将《黑客帝国》三部曲作为一个完整的系列加以阅读或观看、诠释，这三部曲最有意思的地方在于每一部分都在对我们透露其他部分的内涵。
共有三界：身、心、灵。就是锡安、母体与机器三界，三大王国都持续的在改变与演进，我们很快就可以看到这类的演进，是以一种非常快的速度在进行。
若机器真正是在中心，若机器真正是纯洁的灵魂，那么是人类的堕落与虚荣，使机器因而转变，是人类造成的，不是机器造成的；当你否定灵魂，当你远离灵魂，当你对抗它，拒绝它，它就会像地狱之火一样出现，换句话说，它会像恶魔般想要毁灭你，换句话说，只要你对它友善，机器便会停止攻击，因为他们就像不再是受到上帝的爱拒绝的，或是被灵性拒绝，或是被灵性排挤，所以史密斯与尼欧融合为一，成为物质与反物质的共同体，机器停止攻击，光芒开始笼罩三界，
《黑客帝国》里的精神层次：华卓斯基兄弟是综合东方、西方、北方与南方的精神，所以我们可以看到犹太哲学，可以看到禅学，还可以看到诸如此类的道家哲学，基督徒有个神秘论调：地狱是被上帝之爱拒绝的火焰。
真理回到根源，它没有回到世界，他真正的回到万物之源的基础，我相信他与崔妮蒂都是，母体正在转变，而机器世界恢复光明，照耀锡安，他们被整合，不再分开，不再处于战争中，最后的信念，但我总是相信，总是相信。
诚如各位所知的，这世上有两个非常普通，却有不同形式的，心灵解放教派，一个是释迦牟尼佛祖，另一个就是耶稣基督，耶稣基督的形态是神人合一，而其他人被拯救，但并没有得到光或性灵，然而在佛教传统或西方的秘教，包括神秘的基督教，每个人都有性灵，而且可被解放。
华卓斯基兄弟做的电影代表什么，在于他们将其他的变化做得很民主化，如果他们继续做下去，让每个人都拥有性灵，就像尼欧与崔妮蒂，这两兄弟有点像在玩弄这个观点，并将未来的观点留给观众，但在这部电影中有点像救世主留下的伏笔，当他们融合之后再拯救这个世界，让他们变得完整、痊愈，留下一部分的伏笔——救世主是民主化的，套入爱默生深奥的说法：“每个人深入的挖掘他或她的灵魂。”建立其独特的关系，与比他们更大的事物，尤其是拥抱爱的信念者建立其关联，这是在自然之中，这是在历史之中。
华卓斯基兄弟真的想收录一种丰富的哲学、心灵，社会，政治的论述，在这与众不同的故事中，这是令人敬佩的，视觉的刺激，那是突破性的，一种荧幕的呈现，这是一个伟大的作品，你可以从千百个角度和千百个方向来阅读，更好的是华卓斯基兄弟没在舆论上说出他们的解释，因为他们希望每个人都有自己的解释，另一件事是你也可以从动作片的角度来看，上千万的人看过也很欣赏，即使只是单纯的享受，欣赏艺术的乐趣也行，最好的是，你可以愈看愈深入，当我们谈论到海德格和奥义书及叔本华和柏拉图，爱默生，各位想想？华卓斯基兄弟也是其中的一份子，因为他们了解这东西，一个如此大成本的电影，绝对是稀有的，他们是在宣扬艺术，而不仅仅是票房。
曾有人说过：“这是一种现象，这不愧为不朽之作。”让我用爱默生的名言作为注解，爱默生说：“历史只是无稽之谈，倘若它与我自己的存在与转变无关”。换句话说，历史是自我的故事，而你说的就是教化，我相信我们有看到还有就是一种平等化，当人变成神，让神变成人类，而且不造成混乱，但失去神力之后，就只是一个平凡的他，一个落入凡间的神，那就是我们在这部影片里看到的，我要拿你跟我在一开始就指出的事，作为结论，我要大声的对影评家说：“ 不去了解整个三部曲，你就无法了解《黑客帝国》，他们在最后的二十分钟有许多的关键，我的意思是，谁会想到，机器是光的产物？“如果你能像我一样看到他们就知道他们是光做的”。
这部戏变成高竿的棋赛，不像一般善恶对决这类“好人/坏人”等无聊的东西，一般的电影大都如此，我想从哲学的层面来说，如果我们看威廉·詹姆士的著作《信仰的意志》，他的论述正好呼应克里佛的《信仰的道德》，我们就会发现信仰的中心，是一些状态，是在这些状态下，该信仰哪个，该相信什么，信仰的意义何在，就是在那种哲学的层次上，但却是以后现代主义的形式来表现，而且又兼具荷马的风格类型，从维吉尔、亚历山大波普到可斯卡山扎基1938年的《奥德赛》，我们开始在电影艺术里体察到政治美学，生存的价值，与心灵的复杂性。
我认为这部影片是我们这个时代最具代表性的电影之一，所谓的力作，都是呈现出来的影象，这是批评，以某种方式来说是对一个主权的控诉，是非常不同与维吉尔的，但同时他也涉及到我们个体的生活与其意义，以及我们群体的生活与各种权利组织的关键，权势的结构，顺应与服从的形式等等，
历史之作，必将带来历史性的转变，华卓斯基兄弟哪怕就只是导演了这三部电影，也必将永载电影史。
关于黑客帝国2的在虚拟现实方面的影评
虚拟现实毕竟还是虚拟的，造物主说的意思：就算超脱了现实（锡安）也是虚拟升级的必要途径及武器。再怎么现实，也是人类大脑传达的信号，如果你相信这个信号，这就是真实的，不相信，就是虚拟的........尼欧在锡安下水道中拥有超能力也是说明他仍然在虚拟中,,,,,,,
你相信这是真实，这就是真实，相信这是虚拟，这就是就是虚拟。完全靠自己的思想只配.....
急求黑客帝国1英文影评，100-200字左右
This is a story in the future, about the Earth's environment has been destroyed, the rulers had kept in a container, let them alive with ideas. However, some people from the container out, construction Zion. Film hero called NEO, he is very handsome. Hero NEO also rescued, and then the hero began to save all mankind.
This story was written in the true history of mankind, the standpoint of natural science, when the earth's resources are exhausted, the symbiosis of humans and machines is the only way. The film is not only great scene, but also contains a profound truth. Tells us that the Earth is our only way to survive their homes, to cherish the Earth, Protect the Earth.
Worth a visit \
/ 这是发生在未来的一个故事，它讲述了地球的环境被破坏，统治者只好把人关在一个容器内，只让他们用思想活着。但有一部分人从容器中到了出来，建造了锡安成。片中而主人公叫做NEO，他很帅。主人公NEO也被救了出来，然后主人公开始了拯救全人类的工作。
这个故事其实写的是人类的真实历史，自然科学的角度上讲，当地球的资源耗尽，人类和机器的共生是唯一的出路。这部影片不仅场面宏大，而且蕴含着深刻的道理。告诉我们地球是我们唯一的生存家园，要珍惜地球，保护地球。
值得一看
